Thursday, March 20, 2014

How would it be to claim time devoted solely to your art this year?






A Mixed Media Expressive Arts Retreat for Women
June 19-25, 2014
Sicily, Italy

As we grow and change, so do the images that keep 
us engaged with our artistic process.  We might be 
able to move forward and continue making art, but at 
some point artists have to STOP, step out of everyday 
life and become fully present with their art making 
process for it to thrive.

There is a relationship inherent in making art that requires tending and nurturing.
  
The Terreno Concept:
Together, we will work with the Italian wine making 
concept of terreno, as we apply it to the creative process.  

Terreno: /ter' reno/ adj  sense of place, personal 
connection with the earth, being present. 

Italian wine tasters define terreno as specificity of 
place affecting the character, quality, and personality, 
of the wine.

Specifically,  we will explore how making art, sleeping 
and eating among Racalia's olive groves, woodland 
and English Garden informs our art making while 
forging a deeper connection with our own sense of 
place, our own personal terreno and how that effects 
our art's color, character and personality. 

It is from this knowledge, this ability to stay present, that authentic art comes.

Between meandering walks, delicious Italian meals 
and refreshing swims in the Italian countryside you 
will be collecting inspiration, moving with your art and 
engaging in dialogue with your imagery.

This artistic dance is primary to all art yet is often left unattended. 

Decompress and renew your personal artistic identity.  
Begin a dialog with your images as companions.

In the end you will leave with helpful expressive arts 
processes, tools and mixed media techniques to 
continue taking your art to a new level.


We would love to have a personal phone call with 
you to clarify or answer any questions.
Pamela:  Click Here to schedule a convenient time to chat 
Helen: Click Here to schedule a convenient time to chat 

We look forward to exploring with you how this time, 
devoted to your art, would enhance all aspects of your life!

Ciao!
Pamela and Helen

Pamela Underwood, BFA, MA

Helen Wilson, BA, MFA

Thursday, January 30, 2014

Monday, November 4, 2013

Two artists with Two approaches in Sicily!

It's on! Pamela Underwood and I are doing an artists' retreat for women in Sicily! We have known each other for years and are both very excited about this! Check out the webpage.


Seven days, 8 nights of adventure in an intimate community of artists
Experience Mixed Media art making, share art with other artists through the language of expressive arts, practice restorative expressive arts, meditative drawing, unconventional art techniques, swim in pool and pond, eat authentic Sicilian meals created by Racalia’s cook, All in a 1780s one hundred-acre villa overlooking the ocean with its own resident ghost!!






Thursday, October 10, 2013

Nieces and Nephews

Started two more paintings for the Nieces and Nephews series...

Tuesday, September 24, 2013

On Teaching Art


 I teach through action and immersion. Just keep moving, contemplate later. In art, for me at least, there are times of rest and contemplation, and times of work. Art making is a time for work. It is the time to pull from the mental and make physical. Create a reality, a piece of art. For this the contemplative brain needs to move over, the art critic side isn’t even invited to the party. Learn to ask and answer your own questions on the move. The sooner I can get a student making art the better. Get something done and then we have something to talk about. Auh but here is the rub, your best contemplative thoughts will come to you while working. So I use the artist tool of the sketchbook. The thoughts that come to you while your working will not come again. Write them down and keep moving.

The group critique is important, yet the most important question to ask is, does it serve your art? Is this work serving my concept and is my concept serving my art. Why are you using oil paint, watercolor or acrylic which one serves you best? Would mixed media serve you better? Why 2D, why 3D? Why make an image in the first place, should you bring in the object that already holds the meaning your looking for? Critiques teach you to see. You need to learn to be honest, but to really do this you must feel safe. Critiques must always feel safe.   As the instructor it is your job to keep this balance.

You must be excellent at your technique yet I think of techniques as tools. The more tools in your tool box the larger your range, but the tools are not the art. The tools give you the ability to work out your concept more clearly but never confuse it with your art.

Know the history behind what you are doing, it will follow you no matter, you might as well use it. Context is everything, so you had better understand yours. For example if you are painting people in oil the whole history of oil portraits well influence the work. Both you and the observer will bring that to the work. For this reason I use art history in my teaching. If I think another artist or period of art has something to offer my student I make sure to open them up to it.

Know you inspirations and acknowledge them. As a teacher this is a hit and miss.  I look at what your doing show you work that I think might apply. The best way to do this is through emersion. This is why I show a lot of work in my classes. Half of art is learning to see, to do that you have to look at a lot of art.

I image my students going home tired but full, creative juices flowing. I like that image.

Monday, September 9, 2013

Sunday, March 24, 2013

So what is this Fetus Fetish thing...


Fetus n: an unborn vertebrate especially after attaining the basic structural plan of its kind.
Fetish n 1a: An object regarded with superstitious or extravagant trust or reverence, believed to have magical powers to protect or aid its owner; broadly: an object of irrational reverence or obsessive devotion: a Fixation.  
Bronze vb 1: to make precious a memory, i.e. to bronze baby shoes.

Sunday, March 3, 2013

The Fetus Fetish work moving forward

I thought they were all poured atleast but I did just start thinking about an unplugged one, a free fetish. So stay tuned. Here are all 5 of them, only one is finished the others are only choosing their rocks. Hoping to be finished in a month or two.  Love the new domes. I hate to show them so unfinished but I did promise to keep you all updated. I need to finish chasing, polishing and adding the eyes. Then I need to attach to their rocks. Each rock will also have an etching. I'll keep you updated. Questions? 





 

Iron Pour in Fallbrook

Hot Iron now that was fun! I made myself some rubber ducks...they don't float.

 

Troll Bracelet

My first Bracelet...I love narratives and Billy Goat Gruff is ripe. And yes I will have to wear it very carefully.